{"id":13,"date":"2015-08-05T21:38:40","date_gmt":"2015-08-05T21:38:40","guid":{"rendered":"http:\/\/www.thepromiseofcinema.com\/testsite\/?page_id=13"},"modified":"2016-03-06T14:10:16","modified_gmt":"2016-03-06T14:10:16","slug":"german-texts","status":"publish","type":"page","link":"http:\/\/www.thepromiseofcinema.com\/index.php\/german-texts\/","title":{"rendered":"Selected Texts"},"content":{"rendered":"<p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-1-Ewers.pdf\" target=\"_blank\" rel=\"\">Hanns Heinz Ewers, The Kientopp (1907)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-2-New-Terrain.pdf\" target=\"_blank\" rel=\"\">Anonymous, New Terrain for Cinematographic Theaters (1910)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-3-Ba\u0308umer.pdf\" target=\"_blank\" rel=\"\">Eduard Ba\u0308umer, Cinematograph and Epistemology (1911)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-4-War-and-Cinema.pdf\" target=\"_blank\" rel=\"\"><em>Der Kinematograph,\u00a0<\/em>War and Cinema (1914)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-5-Stapel.pdf\" target=\"_blank\">Wilhelm Stapel, Homo Cinematicus (1919)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-6-Jesenksa.pdf\" target=\"_blank\" rel=\"\">Milena Jesenks\u00e1, Cinema (1920)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-7-Lebedur.pdf\" target=\"_blank\" rel=\"\">Wilhelm von Lebedur, Cinematography in the Service of the Police (1921)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-8-Musil.pdf\" target=\"_blank\" rel=\"\">Robert Musil, Impressions of a Na\u00eff (1923)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-9-Bala\u0301zs.pdf\" target=\"_blank\" rel=\"\">B\u00e9la Bal\u00e1zs, The Color Film (1923)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-10-Lubitsch.pdf\" target=\"_blank\" rel=\"\">Ernst Lubitsch, Film Internationality (1924)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-11-Lang.pdf\" target=\"_blank\" rel=\"\">Fritz Lang, Looking Towards the Future (1926)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-12-Baum.pdf\" target=\"_blank\" rel=\"\">Vicki Baum, The Automobile in Film (1926)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-13-Eisner-Laban.pdf\" target=\"_blank\" rel=\"\">Lotte Eisner and Rudolf von Laban, Film and Dance Belong Together (1928)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-14-Kracauer.pdf\" target=\"_blank\" rel=\"\">Siegfried Kracauer, Sound-Image Film (1928)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-15-Reiniger.pdf\" target=\"_blank\" rel=\"\">Lotte Reiniger, Living Shadows (1929)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-16-Steffen.pdf\" target=\"_blank\" rel=\"\">Ernst Steffen, Telecinema in the Home (1929)<\/a><\/p><p><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/08\/Sample-text-17-Arnheim.pdf\" target=\"_blank\" rel=\"\">Rudolf Arnheim, Radio-Film (1932)<\/a><\/p>","protected":false},"excerpt":{"rendered":"Hanns Heinz Ewers, The Kientopp (1907)Anonymous, New Terrain for Cinematographic Theaters (1910)Eduard Ba\u0308umer, Cinematograph and Epistemology (1911)Der Kinematograph,\u00a0War and Cinema (1914)Wilhelm Stapel, Homo Cinematicus (1919)Milena Jesenks\u00e1, Cinema (1920)Wilhelm von Lebedur, Cinematography in the Service of the Police (1921)Robert Musil, Impressions of a Na\u00eff (1923)B\u00e9la Bal\u00e1zs, The Color Film (1923)Ernst Lubitsch, Film Internationality (1924)Fritz Lang, Looking<div class=\"theme-button\"><a class=\"transparent-btn\" href=\"http:\/\/www.thepromiseofcinema.com\/index.php\/german-texts\/\" >READ MORE<\/a><\/div>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6B84P-d","_links":{"self":[{"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/pages\/13"}],"collection":[{"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/comments?post=13"}],"version-history":[{"count":7,"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/pages\/13\/revisions"}],"predecessor-version":[{"id":1698,"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/pages\/13\/revisions\/1698"}],"wp:attachment":[{"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/media?parent=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}