{"id":729,"date":"2015-10-17T11:08:50","date_gmt":"2015-10-17T11:08:50","guid":{"rendered":"http:\/\/www.thepromiseofcinema.com\/?page_id=729"},"modified":"2017-04-11T09:22:33","modified_gmt":"2017-04-11T09:22:33","slug":"1927-1933","status":"publish","type":"page","link":"http:\/\/www.thepromiseofcinema.com\/index.php\/1927-1933\/","title":{"rendered":"1927-1933"},"content":{"rendered":"<hr \/>\r\n<p style=\"text-align: justify;\">These pages gather films that can be paired with selected chapters and texts from the book. The material is intended to help bring the readings to life. Users looking for better-quality copies of the films below can consult\u00a0<span style=\"color: #000000;\">the<\/span>\u00a0following lists of German films on DVD:\u00a0<\/p>\r\n<ul>\r\n\t<li><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/10\/WEIMAR-CINEMA-ON-DVD.pdf\" target=\"_blank\">Anton Kaes, Michael Cowan, Nicolas Baer, &#8220;Weimar Cinema on DVD&#8221;<\/a><\/li>\r\n\t<li><a href=\"http:\/\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/10\/Loew-Films-on-DVD.pdf\" target=\"_blank\">Katharina Loew, \u201cDVD Editions of Weimar Cinema&#8221;<\/a><\/li>\r\n\t<li><a href=\"http:\/\/www.silentera.com\/video\/info\/germanFilms.html\" target=\"_blank\">&#8220;German Films of the Silent Era on Home Video&#8221;<\/a><\/li>\r\n<\/ul>\r\n<hr \/>\r\n<p style=\"text-align: justify;\">\u00a0\u00a0<\/p>\r\n<h2 style=\"text-align: center;\">1927-1933<\/h2>\r\n<h4>\u00a0<\/h4>\r\n<h4>1927<\/h4>\r\n<h4><em>Berlin. Sinfonie der Gro\u00dfstadt \/ Berlin: Symphony of the Metropolis<\/em><\/h4>\r\n<h4>Walter Ruttmann (61 min.)<\/h4>\r\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/j76FNxsJlt8\" width=\"425\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p>See\u00a0Ruttmann, &#8220;How I Made My Berlin Film,&#8221; text no. 207<\/p>\r\n<p>Ruttmann, &#8220;The Absolute Fashion,&#8221; text no. 208<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<h4>1927<\/h4>\r\n<h4><em>Gespensterstunde \/\u00a0The Ghostly Hour<\/em><\/h4>\r\n<h4>Curt Schumann (4 min.)<\/h4>\r\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/E5Rdac3jxOY\" width=\"425\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p>See chapter 16, Film as Knowledge and Persuasion<\/p>\r\n<p>Arthur Lassally, Film Advertising and Advertising Films, text no. 240<\/p>\r\n<p>Nikolaus, Advertising and Its Psychological Effects, text no. 246\u00a0<\/p>\r\n<h4>\u00a0<\/h4>\r\n<h4>\u00a0<\/h4>\r\n<h4>1927<\/h4>\r\n<p>&nbsp;<\/p>\r\n<h4><em>Metropolis<\/em> (Restored film)<\/h4>\r\n<h4>Fritz Lang (150 min. with English subtitles)<\/h4>\r\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/8ZmFsxWrnz0\" width=\"425\" height=\"300\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p>&nbsp;<\/p>\r\n<div><span style=\"color: #000000;\">See chapter 3, The Time Machine<\/span><\/div>\r\n<div><span style=\"color: #000000;\">chapter 9, The Specter of Hollywood<\/span><\/div>\r\n<div><span style=\"color: #000000;\">chapter\u00a0 11, The Mobilization of the Masses<\/span><\/div>\r\n<div><span style=\"color: #000000;\">chapter 12, Chiffres of Modernity<\/span><\/div>\r\n<div><span style=\"color: #000000;\">chapter 13, The Expressionist Turn<\/span><\/div>\r\n<div><span style=\"color: #000000;\">chapter 14, Avant-garde and Industry<\/span><\/div>\r\n<div><span style=\"color: #000000;\">chapter 15, The Aesthetics of Silent Film<\/span><\/div>\r\n<div><span style=\"color: #000000;\">chapter 18, Technology and th<\/span>e Future of the Past<\/div>\r\n<h4>\u00a0<\/h4>\r\n<h4>\u00a0<\/h4>\r\n<h4>\u00a0<\/h4>\r\n<h4>1927<\/h4>\r\n<h4><em>Siren of the Tropics<\/em><\/h4>\r\n<h4>Mario Nelpas, Henri \u00c9ti\u00e9vant (4 min.), excerpt with Josephine Baker<\/h4>\r\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/UhEhK4bgYtI\" width=\"425\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p>See chapter 12, Chiffres of Modernity<\/p>\r\n<p>Anonymous, The Charleston in One Thousand Steps, text no. 56<\/p>\r\n<p>Giese, Revue and Film, text no. 181<\/p>\r\n<h4>\u00a0<\/h4>\r\n<h4>\u00a0<\/h4>\r\n<h4>\u00a0<\/h4>\r\n<h4><span style=\"color: #000000;\">1928<\/span><\/h4>\r\n<h4><span style=\"color: #000000;\">The Circus<\/span><\/h4>\r\n<h4><span style=\"color: #000000;\">Charlie Chaplin<\/span><\/h4>\r\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/V0mfJ0RXvV0\" width=\"425\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p><span style=\"color: #000000;\">See chapter 12, Chiffres of Modernity; chapter 9, The Specter of Hollywood<\/span><\/p>\r\n<p><span style=\"color: #000000;\">Benjamin, Chaplin in Retrospect, text no. 182<\/span><\/p>\r\n<h4>\u00a0<\/h4>\r\n<p>&nbsp;<\/p>\r\n<h4>\u00a0<\/h4>\r\n<h4>1929<\/h4>\r\n<h4>Im Schatten der Maschine<\/h4>\r\n<h4>Albrecht Viktor Blum (22 min.)<\/h4>\r\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/34229317\" width=\"425\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p>See Blum, &#8220;Documentary and Artistic Film,&#8221; text no. 45<\/p>\r\n<h4>\u00a0<\/h4>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<h4>1929<\/h4>\r\n<h4><em>Chelovek s kino-apparatom \/\u00a0The Man with a Movie Camera<\/em><\/h4>\r\n<h4>Dziga Vertov (69 min.)<\/h4>\r\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/z97Pa0ICpn8\" width=\"425\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p>See chapter 11, The Mobilization of the Masses; chapter 14, Avant-garde and Industry<\/p>\r\n<p>Anonumous, \u201cCandid\u201d Cinematography, text no. 215<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<h4>\u00a0<\/h4>\r\n<h4>\u00a0<\/h4>\r\n<h4>\u00a0<\/h4>\r\n<h4>1929\u00a0<\/h4>\r\n<h4><em>Melodie der Welt<\/em><\/h4>\r\n<h4>Walter Ruttmann (48 min.)<\/h4>\r\n<p><iframe loading=\"lazy\" src=\"\/\/www.dailymotion.com\/embed\/video\/x31evdc\" width=\"425\" height=\"300\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>See chapter 17: Sound Waves<\/p>\r\n<p>Ruttmann, &#8220;The Absolute Fashion,&#8221; text no. 208<\/p>\r\n<p>Ruttmann, &#8220;The Isolated Artist,&#8221; text no. 213.<\/p>\r\n<p>Pinschewer, &#8220;Film Advertising,&#8221; text. no. 237<\/p>\r\n<p>Ruttmann, &#8220;Principles of Sound Film,&#8221; text no. 250<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<h4>1929<\/h4>\r\n<h4><em>Mickey Mouse Plane Crazy<\/em><\/h4>\r\n<h4>Walt Disney (6 min.)<\/h4>\r\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/kCZPzHg0h80\" width=\"425\" height=\"300\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>See chapter 12: Chiffres of Modernity; chapter18, Technology and the Future of the Past<\/p>\r\n<p>Benjamin, Micky Mouse, text no. 185<\/p>\r\n<p>Diebold, The Future of Mickey Mouse, text no. 277<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<h4>1930<\/h4>\r\n<h4><em>All Quiet on the Western Front<\/em><\/h4>\r\n<h4>Lewis Milestone (131 min.)<\/h4>\r\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.viki.com\/player\/219512v\" width=\"425\" height=\"300\" frameborder=\"0\"><\/iframe><\/p>\r\n<h4><em>All Quiet on the Western Front<\/em> (Trailer)<\/h4>\r\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/grapXipP3fM\" width=\"425\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p>See chapter 8, Image Wars<\/p>\r\n<p>Kracauer, All Quiet on the Western Front, text no. 124<\/p>\r\n<p>Tucholsky, Against the Ban on the Remarque Film, text no. 125<\/p>\r\n<h4>\u00a0<\/h4>\r\n<h4>\u00a0<\/h4>\r\n<p>&nbsp;<\/p>\r\n<h4>1930<\/h4>\r\n<h4><em>Anna Christie<\/em><\/h4>\r\n<h4>Clarence Brown, with Greta Garbo (2 min. Whiskey Scene in German)<\/h4>\r\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/zZP6afaemnc\" width=\"425\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p>See Chapter 10, Cinephilia and the Cult of Stars;<\/p>\r\n<p>Kracauer, Garbo, text 61<\/p>\r\n<p>Brod and Thomas, Love on Film, text no. 154<\/p>\r\n<p>A.K., Done with Hollywood, text no. 139<\/p>\r\n<h4>\u00a0<\/h4>\r\n<h4>\u00a0<\/h4>\r\n<h4>\u00a0<\/h4>\r\n<h4>1930<\/h4>\r\n<h4><em>Der Blaue Engel \/ The Blue Angel<\/em><\/h4>\r\n<p>&nbsp;<\/p>\r\n<h4>trailer in German<\/h4>\r\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/AxI8aJoizh8\" width=\"425\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p>See chapter 9, The Spectre of Hollywood<\/p>\r\n<p>Chapter 10, Cinephilia and the Cult of Stars<\/p>\r\n<h4>\u00a0<\/h4>\r\n<h4>\u00a0<\/h4>\r\n<p>&nbsp;<\/p>\r\n<h4><strong>1930<\/strong><\/h4>\r\n<h4><strong>Lichtspiel Schwarz-Weiss-Grau\/Lightplay Black White Gray<\/strong><\/h4>\r\n<h4><strong>L\u00e1zl\u00f3 Moholy-Nagy (6 min.)<\/strong><\/h4>\r\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ymrJLhSeIlk\" width=\"425\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p>See chapter 14<\/p>\r\n<h4>\u00a0<\/h4>\r\n<h4>\u00a0<\/h4>\r\n<h4>\u00a0<\/h4>\r\n<h4>1930<\/h4>\r\n<h4><em>Menschen am Sonntag \/ People on Sunday<\/em><\/h4>\r\n<h4>Robert Siodmak, Billy Wilder, et al. 74 min. English subtitles)<\/h4>\r\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/7ooNxs68vk4\" width=\"425\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p>See chapter 10 Cinephilia and the Culture of Stars<\/p>\r\n<p>Chapter 12, Chiffres of Modernity<\/p>\r\n<p>Chapter 15 Aeshtetics of Silent Films<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<h4>1930<\/h4>\r\n<h4>Amateur Film from Vienna\u00a0<\/h4>\r\n<h4>Familie Rauchfuss (2 min.)<\/h4>\r\n<p>(from Stadtfilm Wien)<\/p>\r\n<p><a href=\"http:\/\/stadtfilm-wien.at\/film\/20\/\" target=\"_blank\"><img loading=\"lazy\" class=\"alignnone size-medium wp-image-688\" src=\"https:\/\/i2.wp.com\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/10\/Screen-Shot-2015-10-12-at-8.29.01-AM.png?resize=425%2C300\" alt=\"Screen Shot 2015-10-12 at 8.29.01 AM\" width=\"425\" height=\"300\" srcset=\"https:\/\/i2.wp.com\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/10\/Screen-Shot-2015-10-12-at-8.29.01-AM.png?zoom=2&amp;resize=425%2C300 850w, https:\/\/i2.wp.com\/www.thepromiseofcinema.com\/wp-content\/uploads\/2015\/10\/Screen-Shot-2015-10-12-at-8.29.01-AM.png?zoom=3&amp;resize=425%2C300 1275w\" sizes=\"(max-width: 425px) 100vw, 425px\" data-recalc-dims=\"1\" \/><\/a><\/p>\r\n<p>See &#8220;Vienna is Filming!,&#8221; text no. 148<\/p>\r\n<h4>\u00a0<\/h4>\r\n<h4>\u00a0<\/h4>\r\n<h4>\u00a0<\/h4>\r\n<h4>1930<\/h4>\r\n<h4><em>Roter Wedding \/ Red Wedding<\/em><\/h4>\r\n<h4>Documentary Photographs<\/h4>\r\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/iZ889ZH07PA\" width=\"425\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p>See chapter 11, The Mobilization of the Masses<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<h4>1930<\/h4>\r\n<h4><em>Westfront 1918<\/em><\/h4>\r\n<h4>G.W. Pabst (88 min., with English subtitles<\/h4>\r\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/s7tY4WaWZzA\" width=\"425\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p>See chapter 8, Image Wars<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<h4><span style=\"color: #000000;\"><strong>1932<\/strong><\/span><\/h4>\r\n<h4><em><span style=\"color: #000000;\"><strong>Kuhle Wampe oder Wem geh\u00f6rt die Welt? \/ Kuhle Wampe or Who Owns the World?<\/strong><\/span><\/em><\/h4>\r\n<h4><span style=\"color: #000000;\">Slatan Dudow and Bertolt Brecht (61 min., English subtitles)<\/span><\/h4>\r\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/98Sd00jq6FI\" width=\"425\" height=\"300\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\r\n<p><span style=\"color: #000000;\">See chapter 11, &#8220;The Mobilization of the Masses&#8221;<\/span><\/p>\r\n<p><span style=\"color: #000000;\">Brecht, &#8220;The Threepenny Lawsuit,&#8221; 1931, text no. 171<\/span><\/p>\r\n<p><span style=\"color: #000000;\">Ihering, &#8220;The Banned Kuhle Wampe,&#8221; 1932, text. 172<\/span><\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<p>&nbsp;<\/p>\r\n<h4>\u00a0<\/h4>","protected":false},"excerpt":{"rendered":"These pages gather films that can be paired with selected chapters and texts from the book. The material is intended to help bring the readings to life. Users looking for better-quality copies of the films below can consult\u00a0the\u00a0following lists of German films on DVD:\u00a0 Anton Kaes, Michael Cowan, Nicolas Baer, &#8220;Weimar Cinema on DVD&#8221; Katharina<div class=\"theme-button\"><a class=\"transparent-btn\" href=\"http:\/\/www.thepromiseofcinema.com\/index.php\/1927-1933\/\" >READ MORE<\/a><\/div>","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P6B84P-bL","_links":{"self":[{"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/pages\/729"}],"collection":[{"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/comments?post=729"}],"version-history":[{"count":16,"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/pages\/729\/revisions"}],"predecessor-version":[{"id":1804,"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/pages\/729\/revisions\/1804"}],"wp:attachment":[{"href":"http:\/\/www.thepromiseofcinema.com\/index.php\/wp-json\/wp\/v2\/media?parent=729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}